The New Laokoon (Part 32)
I am happy to present the thirty-second—and final—post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
I am happy to present the thirty-second—and final—post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
I am happy to present the thirty-first—the penultimate—post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the twenty-ninth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
(Pictured: Benedetto Croce.) I am happy to present the twenty-eighth post of Irving Babbitt’s book The New Laokoon, an Essay on the Confusion of the Arts, published in 1910, in which Babbitt followed the...
I am happy to present the twenty-seventh post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the twenty-sixth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the twenty-fifth post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts,” published in 1910.
I am happy to present the twenty-third post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This post concludes Chapter VI.
I am happy to present the twenty-second post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.”
I am happy to present the twenty-first post of Irving Babbitt’s book “The New Laokoon, an Essay on the Confusion of the Arts.” This post inaugurates the sub-section “Programme Music.”
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